Saturday, September 3, 2011

A Selection of Texas Psychedelia

It’s common knowledge that many seminal figures of Psychedelic Rock have repeatedly  cited Roky Ericson and the 13th Floor Elevators of Austin, TX as a major influence.  Texas had a thriving garage/psychedelic music scene throughout the 60s & early 70s, and it was not limited to the Austin area.  In fact, a good amount of Texas Psychedelic music was recorded and released by the independent Houston label, International Artists.  Gorki’s last post got me digging deeper into my collection of underground Texas music, so I’ve decided to post some random gems of Texas 60s music. Enjoy!


Houston’s The Red Crayola:
So let’s start with Houston and Mayo Thompson’s The Red Crayola.  An art student in the mid 60s, Mayo Thompson started the psychedelic rock group with Steve Cunningham and Frederick Barthelme, and yes, Red Crayola’s original drummer is related to the celebrated writer, Donald Barthelme (they’re brothers I believe....).  Although the band is no longer together, M. Thompson still performs under the name Red Krayola (and I believe Jim O’Rourke plays with him...).   Their music was ahead of the curve to say the least.  One hears the roots of punk, noise rock, no wave, and other avant-garde genres of the more recent past.  They released their debut, Parable of Arable Land, in 1967 on the Houston label, International Artists.  On the album every song begins with what has been described as a “free form freak-out” where the band, along with their “Familiar Ugly” friends (which includes cameos of Roky Ericson), play whatever they wanted.  Ahhhh yes, the roots of noise rock.  Check out their song, “Hurricane Fighter Plane,” as it was released as a single:





Now listen to the same song as released on their 1st LP (with “freak outs” and all):




Gotta love the psychedelic imagery that compliments the 2nd video. Their album, Parable of Arable Land, is a must have for all noise rock & no wave enthusiasts.  Check it out.


dl: http://www.mediafire.com/?1xlth0u0cue




Mayo Thompson recorded some great solo material from this period as well.  Some have described Thompson as the “Texan Syd Barrett,” and I hear that in his solo work for sure.  Roky Ericson, however, seems to be better suited for that designation for obvious reasons.  Thompson released the album Corky’s Debt to his Father in 1969 (Texas Revolution), and the record probably appeals to a broader listenership than that posted above.  Truthfully, I listen to this record much more than any Red Crayola material; the music reveals Thompson’s folkier sensibilities. The music still experiments with eccentric arrangements, and Thompson’s lyrics are often playful & non-sequitur.  He rocks here as well, and when he does, it’s more bluesy than anything Crayola.





This album is definitely worth a listen.

San Antonio/Austin’s Bubble Puppy:

Bubble Puppy were a Psychedelic Rock group that formed in mid/late 60s in San Antonio, TX.  They eventually moved to Austin, signed with Houston’s International Artists, and released their sole full length, A Gathering of Promises, in 1969.  This is a great album, lots of Cream-influenced fuzz rock with progressive changes all viewed through the lens of Southern rock & blues.  Their name was taken from Huxley’s A Brave New World (seems appropriate for the period...).  The band never had much success beyond the release of one single, “Hot Smoke & Sassafras” (gotta love that name), so they eventually moved to L.A., signed to a new label, and changed their name to Demian (named after the writings of yet another author celebrated by the rock’n’roll 60s generation..... geeks!) Oh, and they hired the manager of...... guess which band?  That’s right, Steppenwolf! I wonder if they all got together for Herman Hesse book discussions?  Anyways, check this out:


                        (It's definitely very Creamy....)

Austin’s The Golden Dawn:

Everyone’s knows of Austin’s contribution to psychedelia, namely the 13th Floor Elevators.  A lesser known but similar sounding act was Austin’s short-lived group The Golden Dawn.  (They have reunited in recent years...) They released one full length in 1968 entitled Power Plant (on International Artists as well).  (I know, the reunited Golden Dawn has now released a 2nd album....) One can’t help but think of that classic “You’re Gonna Miss Me” garage-psychedelic sound.  To illustrate listen to their track “Starvation”:









Sure, it sounds just like Ericson’s Elevators, but why complain?  Garage rock by nature all sounds similar, and some of us just don’t get tired of hearing it.  I really like George Kinney’s vocals as well.  If you like that Austin psychedelic sound check out their album Power Plant.






So one more post and then I'll call this one quits.





Tyler’s very own Mouse & the Traps:

So I have to add Mouse & the Traps.  Not too often does one come across Psychedelic Rock from the buckle of God’s favorite belt: East Texas!  Mouse & the Traps were from Tyler, TX, and being from that small, conservative town, I thought it appropriate to conclude this posting with a band from the old neighborhood.  Mouse is hit and miss; the music’s garage frat-rock at times, fuzzy and progressive at other moments;  some of the songs are very bubblegum psyche-pop while some tracks lean more towards bluesy folk rock.  It’s kind of all over the place.  The below video makes a comparison between Ronnie (Mouse) Weiss’s vocals and that of Bob Dylan. (Is that good or bad? not sure...) So all East Texans, here’s your psychedelic heritage:






Here’s the entire album, The Fraternity Years:
(wait 45 secs at meagaupload before clicking file link)

Wow, that was a long post, and I have so much more material from this era. I will add more soon.  Peace.


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