(Mike Kinsella on left; Tim Kinsella on right)
The word Emo no longer holds meaning in our popular music culture. If words only mean what we agree to be their terms of usage, well no one seems to agree on how to use the word Emo, and consequently the label means nothing. The whole fashion aesthetic that kids now call “emo” (eyeliner & goth-like attire; over-sensitive, introverted affects; complete emotional self-absorption, etc. etc.) is totally foreign to me. In previous decades, Emo meant something more akin to anger & frustration; its roots, as a musical genre, were in 80s/90s post-hardcore, DC-style punk rock, and experimental math rock. I hear kids using the word in present discourse as a label for groups that have nothing to do with the above-mentioned traditions of underground rock music. I don’t know what the word is supposed to mean today, but I blame the early work of indie pop acts like Jimmy Eat World (and their fans) for the mutation/destruction of the term’s meaning (but that’s another story...). All that to say, I want to do a series of postings on influential artists of the 90s that defined the meaning of the Emo genre for that decade. The best place to start is the Midwest with Chicago’s Kinsella brothers: Mike & Tim Kinsella.
Cap’n Jazz
Tim Kinsella and his younger brother, Mike, formed the legendary Chicago Emo act, Cap’n Jazz, in 1989. (I believe Mike was only 12 years old at the time...). The band was active from 1989 to 1995, and they recorded some 7”s and 1 full-length, Burritos, Inspiration Point, Fork Ballon Sports, Cards in the Spokes, Automatic Biographies, Kites, Kung Fu, Trophies, Banana Peels We’ve Slipped On and Egg Shells We’ve Tippy Toed Over (Man With Gun Records 1994). After the band's breakup, independent label Jade Tree Records released the group’s complete discography on the 2xCD release, Analphabetapolothology (1998). The double album is an essential for any one interested 90s Emo & underground Indie Rock. Here’s the track “Oh Messy Life,” which appears on both their 1st full length & on the Jade Tree collection:
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The Sky Corvair
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One can hear the (post)hardcore roots more clearly in this Cap’n Jazz/Braid side project; it’s pretty heavy stuff. The album has its calm moments as well; it’s worth a listen for any Tim Kinsella fans.
Joan of Arc
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Their first Lp is an essential. Check it out:
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American Football
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While Tim Kinsella concentrated more on Joan of Arc, Mike Kinsella formed the project American Football in the late 90s. The band’s sound represents what most people think of when employing the label “late Emo rock.” It is more subdued and more melodic than anything by Cap'n Jazz. They were active from 1997 to 2000 and only recorded two releases, a self-titled Ep & Lp. Their self-titled full-length came out in 1999 on Polyvinyl Records. It’s really good, laid-back, mathy Emo rock. Here’s the track “Honestly?”:
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Like the above track, the entire album is pretty poppy; it definitely seems to anticipate Mike Kinsella’s future development as the solo artist Owen. If you like the softer side of Emo, check out the entire debut album:
Owls
In the early 2000s, Tim and Mike Kinsella joined the original members of Cap’n Jazz, Victor Villareal and Sam Zurick, to form the Emo Math rock group, Owls. Davey von Bohlen did not participate in this short-lived project. (He was playing in the Promise Ring and Vermont at the time...) Owls played during the years 2000-2002 and released one self-titled full length on Jade Tree in 2001, produced by the legendary Steve Albini. Here’s the opening track, “What Whorse You Wrote Id On”:
Owen
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The Kinsellas have made great contributions to Emo Rock and to Indie music in general. This is just some of their major highlights, but there is much more to explore by both artists. Joan of Arc and Owen tour actively, so support both artists.
(Tim Kinsella performing live)
thats not tim kinsella.. that band is called algernon cadwallader
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