Sunday, October 30, 2011
Happy Halloween! Claw Hammer dressed up as Devo! Wicked!!!!
Thursday, October 27, 2011
Selections of Shoegaze: First Stop, Dallas Tx’s True Widow
I want to do some posts on favorite selections of Shoegaze Rock, and I thought I’d start local and post on the emerging Dallas act, True Widow. A friend turned me on to the group when I moved to the Dallas area, and recently, music critics like the loath-able fascists of rich dorks, excuse me, pitch fork.com, have been sounding praises of the band’s latest album, As High As the Highest Heavens and From the Center to the Circumference of the Earth (Kemado Records 2011). The group is composed of 3 players (drums, bass, guitar), and the sound is as full and thick as any multi-membered heavy metal band. That’s right; they’re some real heavy Shoegaze. Some have called it “Stonergaze;” others have pointed out the overlap of dreamy space pop and sludged-out doom metal. Someone in the blogosphere described the act as a heavy version of Low, and I would agree with that description. As just stated, the band has released two full-length records, their first being a self-titled release on End Sounds in 2008. The two albums demonstrate a natural growth with a distinct, focused style that one can always expect. It fulfills one’s expectations in good way because one quickly senses an assurance or confidence of artistic vision in their constant, heavy-mellow sound. Pitchfork complimented their 2nd release as being a “complete mastery of control,” and I think the critic is expressing a similar insight there. Check out the track, “Skull Eyes”, from their latest full-length; here’s the “official video”:
I recently saw the group perform with Kurt Vile in Dallas... Great show. I would say that some of the texture and contrast in their sound was lost in the fuzz when watching them live. The records are amazing, however. Here’s the opening track, "Jackyl," of the latest release:
The music is thick, heavy, and real crunchy, but it mellows one’s soul as well. It kind of reminds me of an independent, Christian act of the 90s called Starflyer 59. I don’t know how many people remember that band; I saw them play in a church once when around the age of 15. Check out the track “Blue Collar Love”:
Or here’s an “official video” of the Starflyer track “Housewife Love Song”:
Starflyer 59 recorded some great fuzzy drone rock much like that of True Widow, so check their early albums, Silver (1994 Tooth & Nail Records) & Gold (1995 Tooth & Nail Records). Definitely check out the first, self-titled True Widow as well. I’ll leave with a great tune from T. Widow’s first release, the song “AKA”:
Self Titled:
http://www.mediafire.com/?nmmmm4yizkn
As High as the Heavens:
http://www.mediafire.com/?jqx471yamyfve7z
Feel free to comment, and enjoy!!
Wednesday, October 12, 2011
What Do You Get When Steve Albini Records the Jesus Lizard Playing Bitches’ Brew? The Answer is The Giddy Motors.
The group doesn’t really have anything to do with the Jesus Lizard; the Giddy Motors formed in South London in 1999. The band did play loud, dissonant rock and roll, however, that reminds one of certain bands of the noise rock/post-punk tradition. There was a heavy jazz influence as well, and the first thing I thought when listening was wouldn’t it be cool if Jesus Lizard covered Miles’s Bitches’ Brew! Someone tell David Yow to get on that! But seriously, this is a really amazing, underrated rock band. They only released two albums on FatCat Records, Make it Pop (2002) and Do Easy (2006), and then disbanded shortly after their 2nd release. Their 1st full length is an absolute essential, and one reason for this was the producer, legendary Steve Albini. If you like the idea anything Albini, this is definitely worth checking out. Here’s the track, “Hit Cap,” from Make It Pop:
One can hear the obvious jazz sensibilities in the above track, but the band didn’t always incorporate such influences. Sometimes they played straight-up noise rock. Apparently they made a video of the song, “Magmanic,” from the same album, and it demonstrates their heavier styles of rock and roll. Unfortunately, the video copy from YouTube has poor sound quality; I apologize if it’s too much:
If you like what you hear, definitely check out the entire album. It’s an Albini-production essential!
Monday, October 10, 2011
What's in my Record Player Right Now: Toronto's Rockets Red Glare
Rockets Red Glare |
Sunday, October 9, 2011
Emo Diaries - Entry 3: Chris Wollard & Chuck Ragan of Hot Water Music
and the 3rd & 4th releases, Fuel for the Hate Game (1997 Toybox/No Idea Records) and No Division (1999 No Idea Records). After their 4th album, the band moved to the mainstream punk label, Epitaph, and not surprisingly, the band’s sound became less and less interesting. They disbanded around 2006, and the members (minus C. Ragan) formed the Draft, an attempt at mainstream pop punk much like the later efforts of HWM.
The Blacktop Cadence live |
The band formed other side projects as well, the most “emo” being Chris Wollard’s and George Rebelo’s “after hours” group, The Blacktop Cadence. The group were more subdued, playing slower tempos and less over-driven guitars. They released in 1 full length, Chemistry for Changing Times, on Keystone-Ember & No Idea Records in 1997. One of my favorite Blacktop Cadence numbers is not found on the full length; it appeared on one of the original Emo Diaries compilations of Deep Elm Records, “Cold Night in Virginia”:
You either love it or think it’s unbearably cheesy and cliche. I lean towards the former perspective; sometimes predictable simplicity is the best formula for musical expression, and Chuck Ragan demonstrates that well. He has released 3 other full lengths in the last 4 years, and each release continues to explore Ragan’s softer, more low-key compositional tastes. Chris Wollard has pursued a recent solo career as well, most notably as Chris Wollard & the Ship Thieves. The project released a single studio album that was self-titled in 2009 on No Idea Records. I really love this album; it incorporates elements of indie rock, folk, country, and the emo-influenced roots of Wollard’s earlier career. Check out the track, “Same to You”:
HWM's Forever & Counting: http://www.mediafire.com/?acdtmdnavbx
Hwm's Fuel for the Hate Game: http://www.mediafire.com/?ep254aw2ao87wqq
Blacktop Cadence: http://www.mediafire.com/?0gtizmxt4ti
Chuck Ragan: http://www.mediafire.com/?d29dwobzpou
Feel free to comment and please enjoy!